Dress (1992)
Directed by Maria Mochnacz
From the album 'Dry'

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Sheela-Na-Gig (1992)
Directed by Maria Mochnacz
From the album 'Dry'

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50Ft Queenie (1993)
Directed by Maria Mochnacz
From the album 'Rid of Me'

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Man-Size (1993)
Directed by Maria Mochnacz
From the album 'Rid Of Me'

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Reeling with PJ Harvey (1994)
Directed by Maria Mochnacz

Synopsis: 'Reeling with PJ Harvey' is a behind the scenes look at PJ Harvey in 1992 and 1993. It features live performances of "Snake", "Victory", "Man-Size", "Missed", "Hook", "Sheela-Na-Gig", and more. In addition, there's intimate backstage and studio footage, as well as interviews.

Maria Mochnacz, the longtime photographer and friend of Polly, gives fans an extremely close-up view of Polly's life on tour in this era. This is an amazing feat, considering she is usually so private. We see her warming up for the show, changing outfits (choosing which one to wear), and just being herself.

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Down By The Water (1995)
Directed by Maria Mochnacz
From the album 'To Bring You My Love'

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C'Mon Billy (1995)
Directed by Maria Mochnacz
From the album 'To Bring You My Love'

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Send His Love To Me (1995)
Directed by Maria Mochnacz
From the album 'To Bring You My Love'

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Henry Lee (1995)
Directed by Rocky Schenck
From the album 'Murder Ballads'

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That Was My Veil (1996)
Directed by Maria Mochnacz
From the album 'Dance Hall At Louse Point'

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Is That All There Is? (1996)
Directed by Maria Mochnacz
From the album 'Dance Hall At Louse Point'

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Broken Homes (1996)
Directed by (unknown)
From the album 'Angels With Dirty Faces'

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The Book of Life (1998)
Directed by Hal Hartley

Synopsis:
"The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New Year's Eve takes on new meaning when the Devil, Jesus Christ, and Christ's assistant Magdelina discuss and debate the end of the world, the opening of the seven seals, and the essence of being human."
(source: imdb.org)

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A Perfect Day Elise (1998)
Directed by Maria Mochnacz
From the album 'Is This Desire?'

Synopsis:
"A Perfect Day Elise" takes place in a hotel (with, presumably, room 509). An array of creepy characters are sprinkled between bouts of Polly's singing. to avoid tedium, odd camera angles or affects are used. These low quality snaps don't do the video justice; I'd recommend watching the full version.

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The Wind (1998)
Directed by Maria Mochnacz
From the album 'Is This Desire?'

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Good Fortune (2000)
Directed by Sophie Muller
From the album 'Stories From the City, Stories From the Sea'

Synopsis:
'Good Fortune' features an upbeat Polly frolicking through the big city (we're assuming New York because that's where "Good Fortune" was written). She's wearing the same outfit that's featured on the cover of Stories From The City, Stories From The Sea. Not too many deep messages to find in this video.

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A Place Called Home (2001)
Directed by Sophie Muller
From the album 'Stories From the City, Stories From the Sea'

Synopsis:
"A Place Called Home" was filmed in an 18th century "haunted house" in east London. We see numerous Pollys (each singing a different part) in a burgundy walled, dark room. The only visible objects in the room are a silver framed mirror, a stool, and a grayish window; most of the emphasis is on Polly. She morphs and splits, sometimes one figure looking blue and ghost-like. There was even said to be a ghost on set, as there were random tribulations that held up filming.

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This is Love (2001)
Directed by Sophie Muller
From the album 'Stories From the City, Stories From the Sea'

Synopsis:
A very basic video. Features Polly, equipped with a guitar and its accessories, in a white room wearing a white pantsuit. The lighting alternates between light and dark as Polly gives a rocking performance of "This is Love."

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Crawl Home (2003)
Directed by Hal Hartley
From the album 'Desert Sessions 9/10'

Synopsis:
"Crawl Home," a single off the Josh Homme side project Desert Sessions 9/10, features Homme and Polly Harvey in a parked car. A fight is ensuing, where both parties are frustrated (although Homme occasionally tries to patch things up, with a cold response from Harvey). Despite pulling away, in the end they "crawl home" to each other (see the final frame).

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The Letter (2004)
Directed by Maria Mochnacz
From the album 'Uh Huh Her'

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Who the Fuck (2004)
Directed by Maria Mochnacz
From the album 'Uh Huh Her'

Synopsis:
A playful Polly bounces around an apartment in outfits ranging from a t-shirt and undies to a dress accessorized with rubber gloves and a scrubber brush. Her performance is as free as the one in the "Man-Size" video, but there is definitely a sense of frivolity.

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You Come Through (2004)
Directed by Maria Mochnacz
From the album 'Uh Huh Her'

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Shame (2004)
Directed by Maria Mochnacz
From the album 'Uh Huh Her'

Synopsis:
A visually stunning video. Shot in black and white, many layers (some abstract, some distinct) intermix to give a unique and interesting aesthetic. There are some beautiful shots of Polly in this one.

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